Deep Ellum Art Company
3200 Commerce Street
Tickets on Sale 11/30 @ 10 AM!
With 12 years of relentless touring behind them, Vermont-based rock band Twiddle has built an impressive resume spanning Red Rocks to Bonnaroo, and multiple sellouts of historic rock venues including Port Chester, NY’s Capitol Theatre, and Washington D.C.’s 9:30 Club. And with the second half of the band’s third studio album, PLUMP, on the horizon, the band’s career continues to catapult forward. Buoyed by the generous support of 359 Kickstarter donors, the 27-song album does more than showcase the group’s beautiful music, but also tells an important story, comprised in PLUMP Chapters 1 & 2.
Recorded during a two-year span with legendary producer Ron St. Germain, PLUMP serves as a reflection of four brothers’ triumphs and struggles, both individual and as a whole. On Chapter 1, songs like “Lost in the Cold” and “Every Soul” detail what it’s like to hit rock bottom and how to rise back up.
“So many fans have shared how these songs carried them through very difficult times, and that alone makes this all worth it,” said Brook Jordan, Twiddle’s percussionist and vocalist. Comparatively, Chapter 2 contains genre-bending instrumentals, as well as mystifying epics like
“Nicodemus Portulay” and “Orlando’s.” More than ten years later, these songs mirror the earliest Twiddle arrangements of 2004-2005 when Mihali Savoulidis and Ryan Dempsey were collaborating in their freshmen dorms at Castleton State College. The completion of PLUMP is timely, coming at a moment when the band’s fervent fan base is at an all-time high and expanding rapidly.
In the live setting, more and more people are invigorated by Twiddle’s community, promoting positivity and the band’s skillful improvisational music. So many like-minded people believe in the greater good, and they find that good in Twiddle.
Twiddle is comprised of Zdenek Gubb on bass and vocals, Ryan Dempsey on keyboards and vocals, Mihali Savoulidis on guitar and lead vocals, and Brook Jordan on percussion and vocals.
ABOUT THE HIP ABDUCTION:
Sometimes inspiration strikes from the immersion of living in a far away place. The view of the ocean. The sound of a rainforest at sunrise. The smell of an open-air market. The embrace of the wild human experience. However, maybe the nostalgia for a certain place might be attributed instead to a feeling, or a time, or even a person. Sometimes, inspiration stems from a place that everyone can relate to, but maybe no one’s actually been. This is the music of The Hip Abduction, the vibrant St. Petersburg, FL-based collective that formed over a mutual appreciation for West African and early Jamaican reggae/dub music.
The Hip Abduction (THA) began through informal jam sessions and quickly coalesced into a sound that attracted national attention. For “Gold Under the Glow”, the band’s third full album released on March 11, 2016, THA engage an indie pop acumen alongside a highly emotive and roots driven sound. Recorded in Nashville, Gold Under the Glow was produced by Dabney Morris (Wild Cub) who is credited with incorporating synth-pop teeth into the band’s global foundation and summery vibe. It’s a smart blending of world pop and club aesthetics that appeals to both audiences.
The Hip Abduction featuring David New (lead vocals, guitar), Chris Powers (bass), Dave Johnson (baritone, tenor sax), Cody Moore (keyboards, sax), Matt Poynter (drums, vocals) and Justino Lee Walker (guitar, vocals, sitar) have shared stages with the likes of Grace Potter, Galactic, The Revivalists, Ziggy Marley, Umphrey’s McGee, Thievery Corporation, Matisyahu, 311, Galactic, and Moon Taxi and has performed at Shaky Knees, FloydFest, Wanee Music Festival, Suwannee Hulaween, Deep Roots Mountain Revival, Sunfest, Orange Blossom Jamboree, Tropical Heatwave Music Festival, The BIG What? and more.